terça-feira, 1 de setembro de 2009


"If you can imagine a work that fuses the collective memory of an area with that of the authors’, and then renders it on film in all it’s wandering yet richly detailed glory, you can conceive of the accomplishment that is known as Heimat. Drawing not only from his memories growing up in the region, but also from interviewing and conversing with hundreds of people from the Hunsruck region, Edgar Reitz created this cinematic version of oral history. Though the 52 ½ hour Heimat trilogy is fictional, Reitz’s cinenovel is far more true to life than at least 99% of the stuff that passes as docudramas or “based on a true story”. A dense multilayered text covering all facets of life from many angles, Reitz’s aim is to tell compelling stories that realistically observe mankind without judging them. Thus his study of life, which is never sentimental or ideological, helps free us from the stereotypical misconceptions about German citizens while providing an alternative to the tired accounts that dominate our perception of the past.

Dismayed by a typically oversimplified good vs. evil American holocaust film becoming an event when broadcast on West German television, Reitz created Heimat as his riposte. His television series breaks down the limiting depictions of history that revolve around the megalomaniacs and focus on black and white issues, persecutors and persecuted, aggressors and defenders. The history of Hitler’s Germany is perhaps accurate of Hitler and his closest minions, but even the most notorious madman doesn’t define the whole of his country, much less his era. Most people are more concerned with their own family, work, love life, things they have more direct influence and control over. These stories may be less important, but they are far from meaningless. Ruthless heartless dictators are a dime a dozen, but how people lived is somewhat different in every decade."

O texto é de Mike Lorefice.
Se despertou interesse, o resto está aqui:
Heimat - Eine Deutsche Chronik

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